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Showing posts with the label Mumbai

Walking through Dharavi

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It's always eye opening to walk through Dharavi. Today I was with Kathy and Clive, they have been to India 5 times already, but to Dharavi for the first time. It struck me how many times she said "This is not what I thought it would be." There are so many misconceptions and cinema-driven myths that sometimes I feel everyone who visits India should do one of these walks. A couple of pics from today's walk below:  Funky hairstyles at barbershop  Kathy tries a Royal Enfield.  Clive shows Torab his modified vehicles  Plastics for recycling

Indian Aesthetics - The Poetry of Krishna

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- by Deepa Krishnan Yesterday at The Magic Room, I attended a marvellous session organized by Expansions (curated by Sarayu Kamat). We listened to the very erudite scholar Dr. Harsha Dehejia speak on the many moods of Krishna Kavya. I do not reside in Vaikuntha,  nor in the hearts of yogis. Where my Bhaktas sing my songs,  there I reside, O Narada! The invitation for the event said: "Krishna’s romantic presence is best understood as kavya and not as a katha, and that too as muktak, or fragmented moment of romantic pleasure. While enjoying the sensuality of Krishna’s shringara, a committed Rasika will endeavour to move it to shringar bhakti. Krishna shringara ultimately should lead to brahma jnana and therefore ananda" It was a pleasure listening to Dr. Dehejia, as he led us through the history of Indian Aesthetics, from the Vedas and the Upanishads, down to Brathrhari (Vakyapadiya, Sphota theory), Bharatamuni (Natyashastra, rasa theory), and Abhinavagupta (commenta...

Van Ruith and the Western gaze

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- by Deepa Krishnan Horace van Ruith, a painter of German origin, arrived in Bombay in the late 1800's. He stayed in Cumballa Hill and established a studio there, at what was called the Cumballa Hill Family Hotel (which is now the Parsee General Hospital). Van Ruith painted landscapes, as well as portraits. But his career really took off when he started to do these Oriental scenes, and found patronage from Indian royalty as well as Prince Arthur, Duke of Connaught. The painting above is of a Brahmin household, says Sotheby's. To me it looks more like a small local temple courtyard, given the sadhu sitting in the corner, the tiling on the wall, the temple bells and the woman returning after offering prayer. Perhaps it is a small shrine, part of a nobleman's large private wada. I liked all the little details in the picture; they are so very real and authentic. No foreigner could paint these from memory, so I am sure there was a photo or a series of photos for reference. Photo...

Women Entrepreners in Tourism in India

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I was happy to be featured in Tourism India's Cover Story on women entrepreneurs in tourism. Interviewer: Mumbai Magic is considered as one of the rarest Responsible Travel experiences in India. How did it all begin? Deepa: I graduated in 1990 with an MBA from the Indian Institute of Management, Calcutta. I spent nearly two decades of my career in the corporate world, mainly in banking technology. I travelled widely due to my work, and met people from many countries. My journey in tourism only started in my late 30’s, when I realized that India has so much more to offer to tourists than just monuments and shopping. So I set up a guided tours company that offers bazaar walks, heritage walks, art walks, food walks, home-cooking, textile trails, craft trails etc. Initially, it was just a hobby, which I did along with my corporate career. But what started as just a hobby in 2006 has now become the largest pan-Indian guided tours company in the inbound segment, offering offbeat experie...

How to build an ethical design business?

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- by Deepa Krishnan I went to Kala Ghoda yesterday to meet a young man named Yazad. He is from LA, but is here in Mumbai now. The Parsi entrepreneurial streak is calling to Yazad, and he is plotting his own design label. He wants to launch a brand of ethical, sustainable clothing for millennials.  Just before meeting Yazad, I went to the new Translate store at Kala Ghoda, and I couldn't help thinking what a great learning ground this store is. Yazad could learn lots of things from this brand. True to its name, Translate has taken the traditional technique of ikat, as woven in the village of Pochampally near Hyderabad, and translated that into something contemporary, innovative and stylish. Urban women can wear these clothes easily, confidently, in lots of different leisure contexts. Some of the shift dresses can be worn to work as well. Translate has taken care with design and finish; the quality is easily visible. The sizing and cuts are designed for real women, not impossibly ...

Mumbai's largest Baghdadi synagogue

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- by Deepa Krishnan In the late 1700's and early 1800's, Jews from Iraq began arriving in Calcutta and Mumbai. It was not the first time Arabic speaking Jews had made their presence felt in India. The Great Mughal Akbar had a Jew in his court, and so did some subsequent Mughal emperors. Surat was one of the major ports of the Mughal empire, and Jewish merchants were well-established there, trading with the British East India Company. As Mumbai prospered in the 1800's, Jews from Iraq, Syria, Afghanistan and Yemen began arriving in Mumbai in significant numbers. A lot of them came from Iraq, and so they were called Baghdadi Jews. There was already another Jewish community in Mumbai, the Bene-Israel (Children of Israel). Believed to be one of the "ten lost tribes" of Israel, they had been in India for many centuries. The Bene-Israel were quite different from the Baghdadis - they spoke Marathi, and looked more Indian than Middle-Eastern. After many centuries in Mahara...